Pigment house & colour laboratory — est. 1987
SATURA
Colour is not decoration here. It is the medium, the weather, and the ground you are standing on. Move your pointer — the field is listening.
The collections
Six families of hue, each with its own temperament. Every collection is a field: step into one and the whole page wears its palette.
The mixing bench
Load two or three pigments, set their ratios, and watch a paint-true gradient form — the engine under the bench is Kubelka–Munk, the same bookkeeping a real pigment desk keeps. The whole field behind you becomes your mix.
Field notes
Notes from the lab bench and the field — every header painted generatively from the palette it discusses.
Pigment sets
The archive, pocketed. Curated sets in enamel tins — take a piece of the field home.